I Love seeing it put this way. #cheers
For those of you who criticize Janelle’s signature monochromatic look.
From her speech on “Black Girls Rock”:
“When I started my music career, I was a maid. I used to clean houses. My mother was a proud janitor. My stepfather, who raised me like his very own, worked at the post office and my father was a trashman. They all wore uniforms and that’s why I stand here today, in my black and white, and I wear my uniform to honor them.
This is a reminder that I have work to do. I have people to uplift. I have people to inspire. And today, I wear my uniform proudly as a Cover Girl. I want to be clear, young girls, I didn’t have to change who I was to become a Cover Girl. I didn’t have to become perfect because I’ve learned throughout my journey that perfection is the enemy of greatness.
Embrace what makes you unique, even if it makes others uncomfortable.” - Janelle Monáe
I live a Janelle Monae appreciation life.
Laila’s joke makes a serious point about how the masses are shaped by the world’s social/cultural elite. There’s a lot of “Bread & Circuses” going on out there.
THAT RESPONSE WAS SIMULTANEOUSLY METAL AND BUDDHA
Without technology, the human body is a pretty proscribed instrument. We cannot write without a pen or pencil, nor eat hot soup without a bowl and, perhaps, a spoon.
And yet, only certain technologies are labeled “assistive technologies”: hearing aids, prostheses, wheelchairs. But surely our pens and pencils, bowls and spoons assist us as well. The human body is not very able all on its own.
My curiosity about how we think about these camps of “normal” and “assistive” technologies brought me to Sara Hendren, a leading thinker and writer on adaptive technologies and prosthetics. Her wonderful site, Abler, was recently syndicated by Gizmodo. I talked to her about why crutches don’t look cool, where the idea of “normal” comes from, and whether the 21st century might bring greater understanding of human diversity.